Oil On Canvas, Real Flavor of Old Masters

All Bihzad 's Paintings
The Painting Names Are Sorted From A to Z


ID Image  Painting (From A to Z)       Details 
34191  
A dervish awed by a prince s tajalli, Bihzad
 
 A dervish awed by a prince s tajalli   mk90 Illustration to Attar\'s Parliament of Fowles Usually attributed to Bihzad
34197  
A dervish begs to be admitted in the mosque, Bihzad
 
 A dervish begs to be admitted in the mosque   mk90 Illustration by Bihzad for the Bustan
34228  
A holy personage at the gate of a shrine consoles a son over his father-s death, Bihzad
 
 A holy personage at the gate of a shrine consoles a son over his father-s death   mk90 The Disposition of the shrine is reminiscent of Ansaris Tomb at Gazurgah,to the northeast of Herat
34229  
A peasant lectures the sage Abu Sa Id ibn Abi l Khayr,the shaykh of Mahneh.on patience, Bihzad
 
 A peasant lectures the sage Abu Sa Id ibn Abi l Khayr,the shaykh of Mahneh.on patience   mk90 Illustration by Bihzad to Attar\'s Parliament of Fowles c.1487-88
34193  
A Poor dervish deserves,through his wisdom,to replace the arrogant cadi in the mosque, Bihzad
 
 A Poor dervish deserves,through his wisdom,to replace the arrogant cadi in the mosque   mk90 Illustration by Bihzad for the Bustan
34186  
A shaykh in the prayer niche of a mosque, Bihzad
 
 A shaykh in the prayer niche of a mosque   mk90 Detail of an illustration by Bihzad for sa di\'s Bustan Herat 1488-89
34247  
Abduction from the seraglio, Bihzad
 
 Abduction from the seraglio   mk90 IN this Entfuhrung aus dem Serail,the cuckolded king on the beach notches arrwo to bowstring,while his fair one escapes with her lover by ship.
34215  
Alexander and the hermit, Bihzad
 
 Alexander and the hermit   mk90 Illustration by Bihzad to Nizami s Alexander romance Herat 1494-95 British Library
34203  
Alexander or Sikandar annuls the magic of the malevolent idol at the entrance to the ocean, Bihzad
 
 Alexander or Sikandar annuls the magic of the malevolent idol at the entrance to the ocean   mk90 While the wise Apollonius or Balinas consults his astrolabe.
34226  
Archangel,a symbol of the divine Active Intelligence, Bihzad
 
 Archangel,a symbol of the divine Active Intelligence   mk90 in the first half of the sixteenth century.
34220  
Brahman transformed into demons, Bihzad
 
 Brahman transformed into demons   mk90 Qocho,eighth or ninth century
34120  
Building ot Castle Khawarnaq,wherein the chamber of the seven icons will be hidden, Bihzad
 
 Building ot Castle Khawarnaq,wherein the chamber of the seven icons will be hidden   mk90 illustration by Bihzad to Nizamis Seven Lcons.
34175  
Building the Great Mosque of Samarkand, Bihzad
 
 Building the Great Mosque of Samarkand   mk90 Illustration by Bilzad
34121  
Caliph al-Ma-mun in his bath, Bihzad
 
 Caliph al-Ma-mun in his bath   mk90 illustration by Bihzad to Nizami\'s Treasury of Secets.
34145  
Capture of a city, Bihzad
 
 Capture of a city   mk90 unfinished illustration attributed to Bihzad c.1490
34128  
Details from Caliph al Ma mun in his bath, Bihzad
 
 Details from Caliph al Ma mun in his bath   mk90
34129  
Details from Caliph al Ma mun in his bath, Bihzad
 
 Details from Caliph al Ma mun in his bath   mk90
34219  
Fragment of a Manichaean manuscript,with the Hindu gods Ganesh,Vishnu, Bihzad
 
 Fragment of a Manichaean manuscript,with the Hindu gods Ganesh,Vishnu   mk90 Qocho. Eighth or ninth century
34185  
His Ministers plead with the Sasanian king Hurmuzd to forgive his son Khusro, Bihzad
 
 His Ministers plead with the Sasanian king Hurmuzd to forgive his son Khusro   mk90 Illustration attributed to Bihzad from the romance Prince Kusro and Queen Shirin in Nizami\'s Khamseh copied for the Timurid emir Ali Farsi Barlas Herat 1494-95
34218  
Jami as Apollonius and the minister Mir Ali Sher Nawa i as Alexander, Bihzad
 
 Jami as Apollonius and the minister Mir Ali Sher Nawa i as Alexander   mk90 Annul the magic of the talisman statue. Detail from an illustration by Bihzad
34196  
King Darius and the Herdsman, Bihzad
 
 King Darius and the Herdsman   mk90 Illustration by Bihzad for the Bustan
34224  
Mahan s diabolic horse, Bihzad
 
 Mahan s diabolic horse   mk90 a Symbolic of his own unleashed impulses,changes between his legs into a seven headed dragon in the valley of the demons
34182  
Old man and youth, Bihzad
 
 Old man and youth   mk90 Apparently signed by Bihzad,Illustration for an anthology of Poetry.
34199  
Portrait of jami leaning on a staff,with another scholar of Sultan Husayn-s court, Bihzad
 
 Portrait of jami leaning on a staff,with another scholar of Sultan Husayn-s court   mk90 Detail of a painting by Bihzad 1494-95
34179  
Portrait of the poet Hatifi,Jami s nephew,seen here wearing a shi ite turban, Bihzad
 
 Portrait of the poet Hatifi,Jami s nephew,seen here wearing a shi ite turban   mk90 Painting by Bihzad,Herat 1511
34180  
Portrait of the Uzbek emir Shaybani Khan,seen here wearing a Sunni turban, Bihzad
 
 Portrait of the Uzbek emir Shaybani Khan,seen here wearing a Sunni turban   mk90 Attributed in the upper margin to Bihzad Herat 1507-10
34170  
Sikanar overcomes the Hosts of Dara, Bihzad
 
 Sikanar overcomes the Hosts of Dara   mk90 Illustration by Bihzad to the Sharaf Nameh The Book of Nobility The first part of Nizami\'s Alexander romance,Khamseh.
34173  
Study, Bihzad
 
 Study   mk90 Attrbuted to Bihzad,for a portrati of Sultan Husayn Mirza.
34137  
Sultan Sanjar and the wildow, Bihzad
 
 Sultan Sanjar and the wildow   mk90 Illustration to Nizami s Treasury of Secrets
34184  
Tamerlane leading the assault of the castle of the knights of the Hospitallers of Saint john at Smyrna, Bihzad
 
 Tamerlane leading the assault of the castle of the knights of the Hospitallers of Saint john at Smyrna   mk90 Illustration by Bihzad or his workshop for the Zafar Nameh
34217  
The Crescent moon turned downwards, Bihzad
 
 The Crescent moon turned downwards   mk90 Detail from Alexander and the Hermit
34192  
The Gatekeeper denies entrance by one unworthy of the garden, Bihzad
 
 The Gatekeeper denies entrance by one unworthy of the garden   mk90 Details of the Frontispiece to the Bustan by Mirak or Bihzad,Samen Manuscript
34163  
The Master of the garden espies the maidens bathing in his pool, Bihzad
 
 The Master of the garden espies the maidens bathing in his pool   mk90 Illustration by Bihzad to Nizami\'s Tale of the Princess of the White Pavilion.
34188  
The poet Nizami, Bihzad
 
 The poet Nizami   mk90 Detail of an illustration attributed to Bihzad for Nizami\'s Layli and Majnun Herat 1494-95
34237  
The saintly Bishr fishes up the corpse of the blaspheming Malikha from the magic well which is the fount fo life, Bihzad
 
 The saintly Bishr fishes up the corpse of the blaspheming Malikha from the magic well which is the fount fo life   mk90 The Tree of Life bows over the saint on the left,a demon rock twists in agony
34246  
The suicide of the artist Farhad,forbidden union with the lovely Shirin, Bihzad
 
 The suicide of the artist Farhad,forbidden union with the lovely Shirin   mk90 Beneath the withered stumps which symbolize dammed souls
34206  
the theophany through Layli sitting framed within the prayer niche, Bihzad
 
 the theophany through Layli sitting framed within the prayer niche   mk90 1494-95
34236  
The Tree of Life springs from the fount and bows over the saint, Bihzad
 
 The Tree of Life springs from the fount and bows over the saint   mk90 Detail of Bihzad\'s Alexander and the hermit
34149  
Timur enthroned, Bihzad
 
 Timur enthroned   mk90 Illustration by Bihzad
34133  
Timur enthroned and holding the white kerchief of rule, Bihzad
 
 Timur enthroned and holding the white kerchief of rule   mk90 for the Zafar Nameh
34198  
Zulaykha attempts to seduce joseph in her palace, Bihzad
 
 Zulaykha attempts to seduce joseph in her palace   mk90 Illustration by Bihzad for the Bustan

Bihzad
the period of 1465-153 Persian illustrator. The most famous master of Persian painting, he is important both for the paintings he executed and for the wider influence of the style associated with his name. Evidently orphaned at a young age, Bihzad is said to have been raised and trained by MIRAK, a painter and calligrapher employed in Herat by Husayn Bayqara.



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